The title is a reference to the Book of Isaiah 42:6, “I, the LORD, have called thee in righteousness, and will hold thine hand, and will keep thee free, and give thee for a covenant of the people, for a light of the Gentiles.” The film is an episodic, cinematic biography of David Ben-Gurion, from his days as a youth in Poland when he met Herzl in the town of Plonsk, through his move to Palestine/Israel, becoming leader, the days of the Independence War and the establishing of the State of Israel, signing the reparations agreement with Germany, and all the way to the making of this film – in the aftermath of the Six-Day War. Perlov’s film highlights all the key milestones in the leader’s life which it goes about doing in the tradition of the reflexive documentary, through the creator’s subjective and artistic pov. The film goes back and forth between documentary and scripted scenes, black and white and technicolour, and even archival footage colourised in bold, artificial colours.
When the world lost Chadwick Boseman on August 28, 2020, we all saw the impact of representation in film. Boseman was not only a Black superhero leading a Black cast in one of the most successful films in history; but his successes paved the way for more, long-overdue diversity in Hollywood.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
This coming-of-age movie discusses immigration issues in the United States through the eyes of two exchange students in Brazil.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
"Up" features one of Pixar's few Asian-American heroes and explores the institutionalized hardships elderly people face. Also, Dug is a good boy.
