It Goes all the Way to the Top: Motherless Brooklyn
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).

On February 11, 1990, while the odds were technically 42 to 1, it was the impossible that happened in a boxing ring in Tokyo, Japan, when James "Buster" Douglas defeated Mike Tyson for the heavyweight championship of the world. Fallen from a top-10 heavyweight contender in the mid-1980s to a stepping-stone for the champion, Douglas was lightly regarded. But a series of extraordinary circumstances would lead to an unimaginable result.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
In all honesty, “Black and Blue” is a satisfying experience, complete with solid craftsmanship. With the help of cinematographer Dante Spinotti, Deon Taylor (the director) creates a murky, lived in atmosphere.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
Laggies is a fantastic movie, filled with down-to-earth characters, transcendent themes, and witty comedy