2Eleven is the tale of two brothers hustling to survive in the streets of Detroit. Zo, the calm, ambitious brother, wants nothing more than to give his daughter, Natty, a better life while Murda, the flashy, hot tempered brother, loves the fast life and even faster money. Two very different brothers with the same occupation, committing robberies. Zo, Murda, and their accomplice Rell start off as small time thieves until Zo links up with a season veteran who gives them the opportunity to catch bigger fish and make more money. Once these "jack boys" begin to see a shift in income, the differences between Zo and Murda become more apparent. Tempers flare, blood is shed, and lines are crossed. The more money that is made, the more loyalty is tested. This urban drama is sure to leave you thinking.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
A young woman who dislikes dogs changes forever when a beloved pet comes into her life in this heartwarming story for animal lovers.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
