The Good Deeds in ‘A Good Person’
‘A Good Person’ makes it clear that forgiveness is hard.
273 Days Below Zero
Siberia, contrary to people’s first association, is not a deserted land covered with snow. During the one-year stay, Polish documentary filmmakers collected materials that make up the image of the modern industrial area of the North.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Siberia, contrary to people’s first association, is not a deserted land covered with snow. During the one-year stay, Polish documentary filmmakers collected materials that make up the image of the modern industrial area of the North.
Rating:
Genre:Documentary
Written By:
In Theaters:
Box Office:
Runtime:81 minutes
Studio:Wytwórnia Filmów Dokumentalnych
Cast
Articles You May Like
Laggies: Lynn Shelton’s Film Blends a Coming-of-Age Story With a Quarter-Life Crisis
Laggies is a fantastic movie, filled with down-to-earth characters, transcendent themes, and witty comedy
The Genuinely Good and Painstakingly Bad of 'House of Gucci'
So do I recommend that people see this movie, yes 100%, but do I think they are going to come out of it with 80 hot takes, yes 100%.
Marion Ravenwood, the Unsung Hero of 'Raiders of the Lost Ark'
For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.
New Documentary "Pretty Ugly" Tells the Story of The Lunachicks
As one of the women said in the film, friendship in your teens is “as important as any lover” and it’s clear they lived that philosophy throughout their early adult lives as well.
The Rape Post-Memory in 'Grbavica'
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.