Gods of Mexico, an Artistic Triumph that Eschews Narrative
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.

When Jonathan Parker was 4 years old, his mother's words and a chance encounter with a Salvation Army Kris Kringle instilled in him a lifelong belief in the legend of Santa Claus. Now 24 and his parents long passed away, Jonathan is a spacey, pot-smoking college drop-out and multi loser in romance who has one shot left to find his true love; he writes a letter to Santa Claus. After meeting Toby, a new co-worker just moved to the city, Jonathan is convinced this is the one who was sent for him, even after he meets Toby's long time boyfriend Keith. This doesn't deter Jonathan, who proceeds to wreck everyone's lives in pursuit of his dream man. Fighting snags, traps and pitfalls to Christmas Day, will Jonathan land his Christmas wish?
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
YouTube surpasses Netflix but there is more to the story.
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
With This is Us now on its fifth season and A Million Little Things on its third, we have a lot of material to entertain the hypothetical: if these two shows got in the ring together, who would come out victorious? Despite the endless recognition for the former’s success, I dare say I’d put my money on A Million Little Things once all is said and done.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.