The mysterious Tronche is being escorted to a castle in France. However, during a stop at a motel, he is attacked by Don Lewis who adopts his identity. The castle is the secret hideout of drug-pushing gang. Two of the crooks are killed by an unidentified assailant. While the false Tronche, Jean (head of the gang) and Pierre search the place for the murderer, Jean's lover is killed too. The four survivors are trapped because they are in hiding from the police...
‘Better Than Chocolate’ isn’t perfect, but it sure has charm! The characters are great. Some took longer to grow on me than others, but ultimately they’re all compelling! I appreciate how a select few help those around them to grow.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
Adam McKay might have been more concerned with cramming cameos than he was in this story which is a bloated criticism of the rich and famous… delivered unto us by the rich and famous.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
While Mortals Sleep is enthralling quick-fix horror that offers thrills and excitement with such a short runtime and left me truly impressed with all levels of filmmaking.
