Gus Van Sant's Constant Thematic and Cinematic Elements
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.

China, 1915. A secret and unequal treaty that would increase Japan's dominance over China is about to be signed unwillingly but not before external forces jump in to make sure it never happens. Therefore both the US and a small band of thieves and orphans (among them Lau Sek-Ming and Alexander Lo Rei) are ordered by their foster father (Zhang Feng-Yi) to track it down in Shanghai. Feeling an unease in terms of their involvement in high politics all of a sudden, it becomes clear there's a traitor in the group...
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
In 1983, V first debuted as a mini-series. It chronicled the story of alien visitors who arrive on Earth in motherships; they look like us, they talk like us, and they say they are of peace
A film about family and sacrifice... and carnivorous locusts coming after you.
This Comedy-Drama set in Nazi Germany, shows a young boy, Jojo who wants to be Hitler's personal guard and even conjures up Hitler to be his imaginary friend. His nationalism and prejudices of Jews change when he discovers a Jewish girl hiding in his attic.
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.