201 Belmont is a gorgeous house in a beautiful neighborhood and whose owner, Robert Teuer, is in need of a house sitter. Sophie and Dylan have been married and living with her parents for the past 6 months. It looks like a perfect match. When the young couple move into the house it seems like paradise for a while until a ghost from the past begins to try to warn them of eminent danger. Also their every move seems to be watched by a large sinister man and a camera happy neighbor. Twist and turns lead down a deadly path as Dillon and Sophie try to unravel the mystery surrounding the disappearance of Robert Teuer's wife and the mishaps of the present.
Twisting what seems to be obvious setups and frameworks is what sets the story structure of Squid Game apart. I appreciate that this narrative is complex but not complicated; an easy enough plot to wrap your head around while still treating the audience like an equal participant in this social commentary
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.
It’s 2021 and what few LGBTQ+ films that are produced by major film studios continue to star cisgender heterosexual actors, rather than actual LGBTQ+ people.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
