"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

It is a documentary directed by the band Serpente, one of the oldest rock'n roll bands in Belo Horizonte. The band Serpente was formed in 1982 with an original objective for the time: to play live songs of their own authorship in a style based on the deepest roots of rock'n roll and traditional rhythm and blues.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.
Disney's newest Latine animated musical, 'Encanto', features a super colorful cast, fun music, and a surprising conflict about intergenerational trauma.
As a musical fan, I enjoyed the film and encourage anyone who likes dark humour and a bit of blood to give it a watch.
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like