What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

Dong-hoon moves to a new house. On the day of moving, he comes to the landlord to pick up the keys he didn't receive. He is happy to be seeing the beautiful Ji-hyeon. Ji-hyeon noticed Dong-hoon's interest. Dong-hoon had a housewarming celebration with his friend Min-soo. Ji-hyeon started to take a hold on the drunk Min-soo and then passed out in no time. The next day, Dong-hoon happily welcomes Ji-hyeon, who came to him without knowing what happened.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Yes, Asia is actually quite a large hub for amazing horror films even to this day, some people just never notice! Well, I'm here to change that. It's time to not let those words at the bottom of the screen scare you but instead be scared by some of the best horror you never knew about.
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.
As Andrew’s life begins to change, his passion for drumming soon becomes a spiraling obsession in the pursuit of perfection. Through the use of disturbing and abusive training methods, Fletcher puts Andrew through emotional and physical agony.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.