18 Ius Soli examines issues of race, ethnicity, and national identity in 21st-century multicultural Italy. It includes interviews with 18 young men and women born in Italy to immigrant parents who have attended Italian schools, speak Italian, and see themselves as Italian; however, they are not Italian citizens due to current law. Their struggle for citizenship and recognition has affinities with that of the Dreamers, undocumented young people brought to the U.S. as children. 18 Ius Soli thus offers a unique perspective on not only contemporary Italian society, but also the immigrant movements and activism of "dreamers" around the world.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
'Selena: The Series' loses sight of the story's heart: Selena herself.
How do zombie films shine new light in the post-Covid and post-Brexit era?
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.
