Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
1776 poster

1776 (1972)

Colonial representatives gather in Philadelphia with the aim of establishing a set of governmental rules for the burgeoning United States. Benjamin Franklin and John Adams charge Thomas Jefferson with the task of writing a statement announcing the new country's emancipation from British rule.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Colonial representatives gather in Philadelphia with the aim of establishing a set of governmental rules for the burgeoning United States. Benjamin Franklin and John Adams charge Thomas Jefferson with the task of writing a statement announcing the new country's emancipation from British rule.

Rating:G
Genre:Drama, History
Directed By:Peter H. Hunt
Written By:Peter Stone
In Theaters:11/17/1972
Box Office:$2,800,000
Runtime:141 minutes
Studio:Columbia Pictures, Jack L. Warner Productions

Articles You May Like


The Rise of a Kindhearted Comedy Hero: The Anti-Toxic Masculinity Message of Brendan Fraser Films

Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.

Amanda Mazzillo

"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger