Why Angelina Jolie's "Hardbody" in 'Lara Croft: Tomb Raider' Appeals to the Woman Spectator
While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.

It's the Obon holiday. The city has forgotten the hustle and bustle of everyday life, and only the cicadas echo in the streets. The men in yellow helmets, Kagawa and his senior, Saito, arrive. We're the only ones working now, aren't we? The conversation between the two part-timers at the gardener's shop is always in a deadlock. But no matter how much they curse each other, they can't be separated forever. Because he is a ground-bound spirit. They have no choice but to live alone in the city. In the treetop of a big tree, Kagawa's arm, dripping with fresh blood, sways in the wind. In an empty landscape that could be anywhere in Japan, the sad emptiness of people whose existence has been forgotten hangs in the air... Neither horror nor comedy, this is a new genre of splatter labour movie.
While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
This list was made with the intention of celebrating the craft. I love seeing more women of colour on this list than before and more newcomers on the scene as well!
The thing is, people like Wahlberg will only apologize if they have something to lose, which he did. His glamorous life, his reputation, and his career were all at stake.
Bollywood's thrilling fusion of what the blind man saw and the boy who cried wolf.