“Pressure” Puts on the Pressure
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.

Two years after losing his wife, John (Richard Riehle) finds solace in an unusual connection. John spends his free time engaging in an online relationship with a woman (Elizabeth Gillies) who makes him feel connected to his late wife by helping John recreate her recipes. When a masked robber (John Gemberling) appears during their session one night, a whirlwind of events unfolds. The disgruntled robber is caught-off guard by the webcam girl and, in a unique turn of events, they become forced to work in tandem to save John's life as the night escalates.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
When long-time couple Jenny and Nate break up so Jenny can pursue her journalism career, Jenny leans on her two best friends for one last epic night in the city.
Written and directed by Rian Johnson (Looper, Star Wars Episode VIII: The Last Jedi), Knives Out was one of the most clever and intricately crafted films of 2019.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
American Fiction is a genuinely entertaining film with a few lessons.