Idina Menzel: Which Way to the Stage?
"Idina Menzel: Which Way to the Stage?" shows viewers how the star became who she is today.

A documentary revealing why America's school closures lasted longer than almost any other nation. Framed as a forensic analysis of what happened to children during school closures, it blends director Natalya Murakhver's perspective as a Soviet immigrant with voices of children and families nationwide, exposing devastating learning loss, mental health crises, and inequality.
"Idina Menzel: Which Way to the Stage?" shows viewers how the star became who she is today.
This Disney+ movie is about a 12-year-old math genius who wants to become a rapper.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
In this short film, writer/director Nikita Hattangady focuses on Jai, a starving artist rooted in the latter category. Though unhoused, he works hard.
The definition of the word foul is “offensive to the senses,” which is a pretty good summation of the new Disney+ film, Artemis Fowl
A gentle coming of age story, Water Lilies takes its time in exploring what it’s like to be a young girl trying to make sense of her sexuality in a heteronormative world.