I'm Going to be Late
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.

Jose is looking for a way out of his small time banlieue deals. When he overhears a conversation between his girlfriend and his step-brother,he might just have found a very lucrative way.Together with his two best friends,he decides to attack an armored vehicle, full of cash. But everything goes wrong and they're forced into hiding,in a 13 square meters bunker. There, they will have to test their friendship, their motivations, as every move outside triggers even more, paranoia.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
Make no mistake about it, Gilligan has created a continuation that earns its place in the annals of Breaking Bad lore. El Camino isn't a forced entry in an otherwise brilliant world of fiction. This is a satisfying take, which manages to give closure to an iconic character of fiction.