Wreck-It Ralph Transforms from Bad Guy to Good Guy
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.

On the verge of death, a man entrusts Inspector Burma with an address. Burma conducts a difficult investigation with many twists and turns, which takes him from Lyon to Paris, following in the footsteps of the members of a mysterious business firm.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
Desi’s “straight man” to Lucy’s playful exuberance subverted people’s expectations of what a Latino man could be and added respect and nuance to the way onscreen marriages between men and women were portrayed.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
This animated kids' movie shows viewers two different species--jungle animals and aliens--and how both species coexist.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.