A Tragic Antihero: Judy
Renee Zellweger shines in this Judy Garland biopic, which highlights the pain and loneliness that so many famous women endure.

Twelve days on foot with a donkey from Munich to Germany's highest mountain, the Zugspitze: father Marcel and son Felix will certainly not forget this trip. What is intended as an educational measure for the pubescent son becomes a dramatic and comical test of endurance for both of them. Not only is Felix struggling with himself and his relationship with his mostly absent father, Marcel is also facing a new phase in his life. While donkey Maria stoically sets the pace on the hike, the two stubborn characters are thrown back on themselves. In addition to the challenges of a mountain hike, father and son also meet some unusual people who reflect their own longings and fears, bringing them closer together.
Renee Zellweger shines in this Judy Garland biopic, which highlights the pain and loneliness that so many famous women endure.
As Andrew’s life begins to change, his passion for drumming soon becomes a spiraling obsession in the pursuit of perfection. Through the use of disturbing and abusive training methods, Fletcher puts Andrew through emotional and physical agony.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.