Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

100% CEF poster

100% CEF 

Documentary about Celso Emilio Ferreiro, a symbol of anti-Francoism and a leading poet in Spain in the 1960s and 1970s.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Documentary about Celso Emilio Ferreiro, a symbol of anti-Francoism and a leading poet in Spain in the 1960s and 1970s.

Rating:
Genre:Documentary
Directed By:Aser Álvarez
Written By:
In Theaters:
Box Office:

Runtime:60 minutes
Studio:

Articles You May Like


Escape White Suburbia in "The Gates"

The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor. 

Jo Moses

'Grave of the Fireflies' is a Brutal, Heartbreaking Story of War

What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.

Marisa Jones

'Mortal Kombat' Won't Win Any Awards, but it's a Bloody Good Time

In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.

Sydney Hayes