"Pretty": Metecan Duren's Ambitious Horror Debut Shows Promise
New horror film "Pretty" is good to look at thanks to 19-year-old director Metecan Duren.

"10 BABYMETAL BUDOKAN - DOOMSDAY I & II" marked a monumental series of performances celebrating the band's tenth anniversary, held at the iconic Nippon Budokan. These shows, part of a larger series of ten concerts, featured a grand production that paid homage to BABYMETAL's decade of music and innovation. The DOOMSDAY I & II concerts showcased a comprehensive setlist that spanned their entire career, including both beloved classics and newer tracks. The performances were characterized by their elaborate staging, dramatic lighting, and intricate choreography, with Su-metal and Moametal leading the charge in front of a captivated audience. The events not only highlighted their musical journey but also reinforced BABYMETAL's status as a powerhouse in live metal and pop performances, creating a memorable spectacle for fans worldwide.
New horror film "Pretty" is good to look at thanks to 19-year-old director Metecan Duren.
Not only can viewing Not My Dog inspire people to adopt a dog that may be facing tremendous odds, but even that simple action of watching has a social effect.
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.
This drama film is about Priscilla and Elvis Presley's failed marriage through the lens of the title character.
Welcome to a special episode of the Incluvie Movie Highlights. This summer we held the Incluvie Short Film Festival. The film festival discovers and brings to light some outstanding short films starring main characters from diverse backgrounds, who are often overlooked in Hollywood. The filmmakers and actors from the 3 winning films came in and talked about their process and what it was like to make the film.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.