滝沢乃南 YURA-YURA~のなみんinジャパン~ 

The second season arrives over three years after its first. While late on arrival, most audience members will be happy.

Rather than focusing on the bleak, cynical aspects of life post-pandemic, the focus is optimistic and hopeful.

An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.

Stranger Things season 4 ups the ante to the max! The show’s scope has been expanding for the past three seasons, and boy do they give us a spectacle to behold. As much as I love spectacle, this season occasionally buckles under the weight of its own ambition.

‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.

The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.