‘Water Lilies’ and the Journey of Identity
A gentle coming of age story, Water Lilies takes its time in exploring what it’s like to be a young girl trying to make sense of her sexuality in a heteronormative world.

In the Icelandic countryside, a news cameraman is found dead under unsettling circumstances, his reporter colleague has vanished without a trace. The mystery remains unsolved. Years later, a documentary crew retraces the investigation, piecing together fragments of testimony, archival material, and newly uncovered footage. What begins as a cold case review becomes something more elusive as new evidence reveals hidden connections and unanswered questions. Á Huldu – The Hidden Ones is an 85-minute English and Icelandic-language feature that adopts a true-crime documentary framework to explore the instability of truth, the ethics of observation, and the persistence of unresolved narratives.
A gentle coming of age story, Water Lilies takes its time in exploring what it’s like to be a young girl trying to make sense of her sexuality in a heteronormative world.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
The biggest highlight of the film is easily the performance of Andrew Garfield. In his days since hanging up his Spiderman suit, Garfield has routinely churned out great performances, and Mainstream is no exception. He proves that he is willing to try anything and go anywhere in a character.
An artistic approach to the impact of Billie Holiday’s “Strange Fruit”.