'Merry & Gay': A smart and heartfelt LGBTQ Christmas venture
The film centers around two young women, Becca and Sam, who were once high school sweethearts until they reconnect in their town.

After graduating from university, İrem returns to her family home in the countryside, unprepared to face dark secrets. This house is home not only to her bedridden mother, her withdrawn father, and her cousins Nida and Esma, with whom she grew up, but also to buried pain and old fears fed by silence. On the night of Irem’s return, the sudden death of her grandmother Mukaddes triggers unexplained oddities in the house. Though the young women attribute their unease to Mukaddes’s death and the haunting of three-lettered beings, the walls of the house whisper of a darker truth.
The film centers around two young women, Becca and Sam, who were once high school sweethearts until they reconnect in their town.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
If Miguel Alexandre were trying to make a revenge story seem dull without using all the effective formulas that work great in this catchy genre, he could not have accomplished his purpose much better than he unintentionally has in Black Island.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Eddington attempts to capture how media is intertwined with the uncomfortable present.