'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
Nightbooks, the newest entry in children's horror, honors classic horror films, focuses on themes of acceptance, and has awesome production design.
