مسرحية الآن والأمس 

This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?

How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?

Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.

This coming-of-age movie discusses immigration issues in the United States through the eyes of two exchange students in Brazil.

‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.

There's no hiding the horrors of war in this inspiring story of survival