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'Pariah' tells a powerful, mesmerizing, and unflinchingly honest story of identity.

Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.

‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.

'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.

I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.