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Taylor Swift details her successful music career in country and pop genres in this featured documentary film Miss Americana.

In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

The Invite is witty, dramatic, funny, and probably the best comedy released this year so far. 

In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.

The Brazilian filmmaker Alexandre Alonso’s Hunter is a film with a lot of ideas, but with very little holding those ideas together.

This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.