Three lonely strangers meet at a subway exit on an early summer morning. They get a chance to fill the gaps in their lives, but some may miss out on this opportunity for fear of becoming even more lost in loneliness.
An uncomplicated, family-oriented man struggles to adjust to an ever-changing world, especially after suffering a loss. Even for the early 1900s, a less complicated time in many ways than now, Robert Grainier (Joel Edgerton) is a simple man.
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.
Though often underwhelming as a whole, Nevertheless is worth the watch because of the relationship between Sol and Jiwan. It is a stunning, refreshing take on the friends to lovers trope that LGBTQ media has been missing.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Lucifer is a show with both comedy and drama, but most importantly, has charm. Well aware it’s following a silly premise, the show does so in a way that’s entertaining. Sure, sometimes it can be cheesy, but fun cheese.
