Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Η γυναίκα μου ο Αντρέας poster

Η γυναίκα μου ο Αντρέας 

Andreas is an unknown actor, who has ridden the rod and believes that he was born to play only Shakespeare and culture. He has a bond with Zeta, who is a comedy star, and managed to get him a small part in a project, which she will star in. In other words, let Andreas dress up as a woman and make a college girl. But he does not agree... The couple has a close friend, Alexis, a young lawyer, who has come up with an original trick to extract money every now and then from a rich aunt who lives in Africa. Sometimes he writes to her that he just got married and he needs money to open a house, sometimes that his non-existent wife gave birth to a baby and other similar tales...
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Andreas is an unknown actor, who has ridden the rod and believes that he was born to play only Shakespeare and culture. He has a bond with Zeta, who is a comedy star, and managed to get him a small part in a project, which she will star in. In other words, let Andreas dress up as a woman and make a college girl. But he does not agree... The couple has a close friend, Alexis, a young lawyer, who has come up with an original trick to extract money every now and then from a rich aunt who lives in Africa. Sometimes he writes to her that he just got married and he needs money to open a house, sometimes that his non-existent wife gave birth to a baby and other similar tales...

Rating:
Genre:Comedy
Written By:Giorgos Katsabis
In Theaters:
Box Office:

Runtime:

Studio:

Articles You May Like


'Oxygen': Mélanie Laurent Helps Elevate a Familiar Premise

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.

Matt Geiger