"Tow" Tells the True Story of a Woman Who Sued the System
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.

Katya is a landscape designer. On December 31, she delivers New Year's trees to customers. The last tree from the unfulfilled order could have become Katya's only guest for the New Year, but her mother is determined to introduce her daughter to a young man. To avoid this fate, the girl agrees to meet her uncle, her neighbor from Chicago. From this moment on, the longest day of the outgoing year begins for her: she will pick up the wrong uncle from the airport, meet a man, hide from bandits pursuing her... and on New Year's Eve she will again find herself at her tree, but will she be alone?
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
Disney+ recently released six short films entitled the “Launchpad” collection in which diverse directors tell diverse stories. These shorts are exactly the kind of films we here at Incluvie want to see more of. These are stories of intersectionality, inclusion, and diversity. And every short stars a cluvie!
A historic documentary about the iconic Disney character gives viewers a glimpse into animation.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.