Women Are Just Convenient Puzzle Pieces in “Animals”
A deer caught in the headlights is the perfect metaphor for Animals.

Billy Ray (born 1962) is an American screenwriter and film director. He began writing for television and movies in 1994 with Color of Night. He has written numerous films, including the first Hunger Games film (2012), Richard Jewell (2019), and Captain Phillips (2013), earning an Oscar nomination for the latter. Description above from the Wikipedia article Billy Ray (screenwriter), licensed under CC-BY-SA, full list of contributors on Wikipedia.
A deer caught in the headlights is the perfect metaphor for Animals.
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
You can have the best filmmaker and cast in the world, but if the script is lacking, you’re in a troublesome state. Such is the case with Gemini Man, a film full of tremendous artists.