'Mulan' and 'Whale Rider': Director Niki Caro's Take On Gender Inequality

Indie director, Niki Caro (known for 'Whale Rider') directs the live-action 'Mulan' and sets another example of strong females fighting against gender inequality.

Semoy Booker
Semoy Booker
August 21, 2021

Niki Caro is one of the few female directors to transition from independent films to high-grossing blockbusters. When I first watched her 2002 film Whale Rider, I immediately fell in love with the protagonist Pai and was in awe from learning so much about the Maori tribe. The story centers on twelve-year-old Pai and the gender role obstacles she faces in order to become her tribe’s new chief. Interestingly enough, last year fans of the 1998 Mulan were raving about the reimagining of Mulan (2020), and when I found out Niki Caro was behind the camera I was not shocked. However, I was surprised because she’s known for indie films and this was a big leap from indies to a live-action Disney princess movie. But after watching two of her films, one of them being North Country (2005), it didn’t take me that long to see a pattern of strong female protagonists and the theme of gender inequality. 

Pai is wearing a red shirt with a short dress, sitting on branches

Keisha Castle-Hughes as Pai

That being said, Whale Rider and Mulan are very similar, which is why it made sense for Caro to take on the Mulan project. The new Mulan separates itself somewhat from the animated version. Caro wanted the film to stay true to the Chinese legend of the heroine just like Whale Rider is an homage to Maori culture. Pai and Mulan have similar stories and characterization, one of them being their presentation. One might say Pai looks like a boy from the top half of her body and a girl from the lower part of her body; this is because Pai has short curly hair and usually wears a t-shirt with a skirt. Mulan purposefully transforms into a man’s appearance to blend in with the soldiers; she does this by putting her long hair into a man’s bun, wearing the armor, and concealing her breasts. Not only are Pai and Mulan presented as androgynous characters, but their androgyny and shift in gender roles are also how both films are similar in that Pai and Mulan are breaking their cultural traditions so they can have the same opportunities as their male counterparts.

Mulan wearing a bun cap, face is dirty, holds a spear

Liu Yifei as Mulan

One of the ways Niki Caro emphasizes gender inequality as an obstacle for the two characters is by displaying how they are not allowed to show strength. In Whale Rider, Pai is forbidden to train with the boys who are learning from her grandfather to become the new chief. So, instead she secretly spies on their lessons and watches them train with the fighting sticks so she can learn how to use them. When her grandfather discovers Pai fighting with one of the boys with the sticks and wins, he gets furious with her and does not acknowledge her to be equal with her opponent.

Pai is outside, training with her uncle with fighting sticks

Pai training with her Uncle

In the opening scene of Mulan, a young Mulan is seen actively running and jumping throughout their village. Her impressive spirit and energy are shamed by the villagers and her family because girls are not supposed to display any form of masculinity. However, these obstacles that society throws at them do not stop them from pursuing their desires and expressing their true selves. Pai takes lessons from her Uncle, the only person willing to teach her, and is not bothered by her gender. Mulan disguises herself as a man to join the army to fight her father’s place, which allows her to train with the soldiers, and to embrace the gifted skills she had to hide when she was seen as a woman. 

Mulan dressed as a male solider, fights with solider with long spears

Mulan dueling with one of the soldiers