Making a Killing in 'Killers of the Flower Moon'
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.

Thelma Schoonmaker (born January 3, 1940) is an American film editor, best known for her collaboration over five decades with director Martin Scorsese. She is the recipient of numerous accolades, including three Academy Awards, two BAFTA Awards, and four ACE Eddie Awards. She has been honored with the British Film Institute Fellowship in 1997, the Golden Lion for Lifetime Achievement in 2014, and the BAFTA Fellowship in 2019. started working with Scorsese on his debut feature film, Who's That Knocking at My Door (1967), and has edited all of his films since Raging Bull (1980). She has received nine nominations for the Academy Award for Best Film Editing, winning three—for Raging Bull, The Aviator (2004), and The Departed (2006), both records. She has also been nominated eleven times for the BAFTA Award for Best Editing, winning for Raging Bull and Goodfellas (1990).
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
This captivating film can only be truly appreciated by seeing it firsthand. There are not enough words to describe the terrible beauty one experiences while watching it.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.