The End of “The End of Oak Street” is Oak Street
An attempt to capture nostalgia that unfortunately just doesn’t work

Mike Massa (born February 8, 1968) is a stunt performer, coordinator, and second-unit director with a career spanning over three decades. He was born in Frankfurt, Germany. Standing at 6 feet 1 inch tall, Massa has become a prominent figure in the stunt industry. He began his career in the early 1990s, performing stunts in various television series and films. Massa gained significant recognition as the main stunt double for David Boreanaz in the fantasy series "Angel" (1999–2004), where he also served as a stunt coordinator for 63 episodes. His exceptional work on the show earned him a nomination for an American Choreography Award in 2002 for Outstanding Achievement in Fight Choreography for the episode "A New World". Massa's film credits are extensive, including work as a stunt performer and coordinator in major productions such as "Star Wars: Episode VII – The Force Awakens," "Blade Runner 2049," "Captain America: The Winter Soldier," "Iron Man 3," and "The Fate of the Furious." Notably, he served as a stunt double for Harrison Ford in "Indiana Jones and the Kingdom of the Crystal Skull" and "Blade Runner 2049". In 2004, Massa received the Taurus World Stunt Award for Best Specialty Stunt for his boat work in "The Italian Job" (2003), where he piloted a white boat during a high-speed chase scene through Venice's canals. This sequence was directed by Alexander Witt and coordinated by Gary Hymes. His contributions to the industry have been recognised with several accolades. In 2009, he was among the stunt performers nominated for a Screen Actors Guild Award for Outstanding Performance by a Stunt Ensemble in a Motion Picture for "Indiana Jones and the Kingdom of the Crystal Skull." The following year, he won the same award as part of the "Star Trek" stunt crew. Additionally, in 2010, he received two Taurus World Stunt Award nominations in the categories of Best High Work and Best Specialty Stunt. Beyond his on-screen work, Massa is a board member of Stunts Unlimited, a prestigious organisation of elite stunt professionals. He has also endorsed training programs for aspiring stunt performers, emphasising the importance of foundational skills and mentorship within the industry. In July 2023, Massa made headlines during a SAG-AFTRA strike rally in Atlanta, Georgia, where he performed a live stunt by setting himself on fire while holding a "SAG-AFTRA on Strike" sign. This act was intended to draw attention to the challenges faced by stunt performers and to show solidarity with fellow union members.
An attempt to capture nostalgia that unfortunately just doesn’t work
Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
This 2023 film serves as the final chapter of the Indiana Jones franchise.
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.
Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.