Honey Don't: Sizzles, Before Fizzling
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.

Sarah Margaret Qualley (/ˈkwɔːli/ KWAW-lee; born October 23, 1994) is an American actress. A daughter of actress Andie MacDowell, she trained as a ballet dancer in her youth. She made her acting debut in the 2013 drama film Palo Alto. She gained recognition for her supporting role in the HBO drama series The Leftovers (2014–2017). Qualley appears in the films The Nice Guys (2016), Death Note (2017) and Once Upon a Time in Hollywood (2019), and the video games Death Stranding (2019) and Death Stranding 2: On the Beach (2025). She received praise and nominations at the Primetime Emmy Awards for her portrayal of Ann Reinking in the FX biographical miniseries Fosse/Verdon (2019) and for the title role in the Netflix drama miniseries Maid (2021); she also received a Golden Globe Award nomination for the latter. Qualley has since appeared in Yorgos Lanthimos's films Poor Things (2023) and Kinds of Kindness (2024), and earned a second Golden Globe nomination for her performance in the body horror film The Substance (2024). In 2026, she co-starred with Jacob Elordi, Guy Pearce, and Josh Brolin in director Ridley Scott's post-apocalyptic drama The Dog Stars. Description above from the Wikipedia article Margaret Qualley, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.
It's sexy, regardless of what else is going on.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
Happy Gilmore 2 is the perfect comedy to take you back to a simpler time
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.