'Don't Worry Darling' Review: 'Get Out' But For White Women
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.

Kate Berlant (born July 16, 1987) is an American stand-up comedian, actress, and writer. She attended The Archer School for Girls in West Los Angeles and attended New York University, receiving a Bachelor of Arts and Master of Arts in performance studies. She is known for her comedy specials, including Would It Kill You to Laugh? (2022) and her role as Deena Michaels in the 2025 film Maddie's Secret, both starring alongside longtime collaborator John Early. Kate is currently in a relationship with MUNA band member Naomi McPherson.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.